The Architecture of Culture: Works from the Guess Lawson Collection (TAOC) is an exhibition that showcases the evolving nature of contemporary art and the enduring hope that persists amid beauty, doubt, and often struggle. This exhibition highlights The Guess Lawson Collection’s ability to bridge the gap between past and present, inviting viewers to engage with the complex narrative of American history through art.

The selections in this first exhibition from the Guess Lawson Collection are focused on consideration of how as a community do we tie art to activism, a topic close to the collectors hearts. The exhibition  spotlights works in the Collection by multicultural and multinational artists whose work calls us to act on societal challenges of gender and income inequality, and by artists whose work reflects individuals that remind us of the importance of purpose as a character trait for empowerment.

The exhibition draws from Guess Lawson’s extensive collection presenting a powerful and dynamic visual dialogue that explores issues of race, gender, and otherness. The collection features works by established artists such as John Biggers, Hughie Lee-Smith, Violette Bule, Whitfield Lovell, Radcliffe Bailey, David McGee, Joyce Scott, Delilah Montoya, Dick Wray and Giana De Dier, popular artists Abi Salami, Eddie Filer, Kaima Marie Akarue, Christopher Blay, Romeo Robinson, Jonathan Carroll, Danielle Finnerman, and others, offering a rich exploration of depth and diversity.

TAOC is a space for contemplation and discussion challenging the audience to reflect on their own preconceived notions and beliefs. Through a curated selection of artworks, visitors can appreciate the complex narratives and creative processes that drive these artists.

Exhibition Title: The Architecture of Culture
Dates: January 10 – April 25, 2025
Location:
Gensler Houston
909 Fannin St, Unit 200
Houston, TX 77010

Overview:
From January 10 to April 25, 2025, The collaboration between Gensler and The Guess-Lawson Collection brought art, architecture, and community engagement into powerful conversation. The exhibition created a dynamic space for reflection, dialogue, and collective experience in downtown Houston.

The exhibition opened with a private preview and a public address by artist and activist Vicki Meek, who spoke on the connection between art and activism. A series of panel discussions followed, exploring themes such as purpose, urban change, women’s empowerment, and cultural architecture. Moderators included cultural leaders like Harrison Guy, Peter Merwin, Vicki Meek, and Sarah Darro, each guiding rich conversations that deepened the exhibition’s impact and relevance.


Reviews

PaperCity
Art That Doesn’t Match The Furniture – and That’s the Point
by Ericka Schiche
 Read the full article here

GlassTire
Circles of Influence: Private Collections, Public Encounters, and the Politics of Space by Ruhee Maknojia
Read the full article here